It turns out that they both know each other’s work and had intended to meet the other person for a long time. [She follows angrily]. It’s all right: he’s a gentleman: look at his boots. SEVERAL BYSTANDERS [encouraged by this seeming point of law] Yes: where’s your warrant? Now, Pickering strikes a conversation with Higgins. THE FLOWER GIRL. Titterings. THE FLOWER GIRL. THE NOTE TAKER. In Covent Garden, a district of London, a sudden torrent of rain sends people hurrying for shelter under the portico of St. Paul's Church. I tried as far as Charing Cross Station. I can place him within two miles in London. I can place any man within six miles. He is in the same plight as Freddy, very wet about the ankles. Only the elderly gentleman, note taker, and flower girl remain. The people don't like the sense of being played with or patronized. For example, Eliza's Cockney accent places her home in Lisson Grove, a former slum area in central London—not "fit for a pig to live in," according to Eliza—urbanized during the mid-19th century and remaining poor into the 20th century. Suddenly, Eliza comes across an elderly gentleman who calls himself Colonel Pickering. [Her daughter repudiates her with an angry shrug and retires haughtily.] THE NOTE TAKER. Angel Court, Drury Lane, round the corner of Micklejohn’s oil shop. As a socialist, Shaw was particularly concerned with exploring and exposing the power divide between the poor and the rich. Check out our article on Shaw's biography to learn more about his life and literature. You just show me what you’ve wrote about me. Pygmalion Act 1. What business is it of yours? The idea! He’s been gone twenty minutes. Go again; and don’t come back until you have found a cab.

[He raises his hat solemnly; then throws a handful of money into the basket and follows Pickering]. Do you know Colonel Pickering, the author of Spoken Sanscrit? THE NOTE TAKER. Hard enough for her to live without being worrited and chivied. THE DAUGHTER [out of patience, pushing her way rudely to the front and displacing the gentleman, who politely retires to the other side of the pillar] What on earth is Freddy doing? [He walks off towards the Strand]. However, each time someone speaks up, this mysterious man has the amusing ability to determine where the person came from, simply by listening to that person's speech, which turns him into something of a sideshow.The rain clears, leaving few other people than the Flower Girl, the Note Taker, and the Gentleman. THE BYSTANDER. In response to a question from the Gentleman, the Note Taker answers that his talent comes from "simply phonetics...the science of speech." Go back there. A Professor of Phonetics. Cheltenham, Harrow, Cambridge, and India. THE FLOWER GIRL [disappointed, but thinking three halfpence better than nothing] Thank you, sir. [The note taker produces a whistle]. We have tutors online 24/7 who can help you get unstuck. Exclamations of He knows all about it. She wears a shoddy black coat that reaches nearly to her knees and is shaped to her waist. I really haven’t any change. We are introduced to Clara and her mother. September 8, 2016. HIGGINS [hearing in it the voice of God, rebuking him for his Pharisaic want of charity to the poor girl] A reminder. THE DAUGHTER. Pedestrians running for shelter into the market and under the portico of St. Paul's Church, where there are already several people, among them a lady and her daughter in evening dress. [Great laughter. They did. [To the gentleman] Oh, sir, don’t let him lay a charge agen me for a word like that. Really, mamma, you might have spared Freddy that. Taking down people’s words! Hallo! Where’s your warrant? THE MOTHER. The odd, seemingly irrelevant episode when The Mother gives the Flower Girl money to find out how she knew her son's name shows the Mother's fear that her son might be associating with the wrong sort. Who are you? THE DAUGHTER. I’m going home in a taxi. PYGMALION BERNARD SHAW 1912 ACT 1 ACT 2 ACT 3 ACT 4 ACT 5 PREFACE TO PYGMALION. Don’t you stand it from him. Simply phonetics. THE MOTHER [to Clara] Give it to me. THE MOTHER. That’s my profession; also my hobby. Social Class and Manners. I beg your pardon. [Here, with apologies, this desperate attempt to represent her dialect without a phonetic alphabet must be abandoned as unintelligible outside London.] Higgins identifies the bystander as coming from the seaside village of Selsey, and the sarcastic bystander's speech patterns place him in the trade and manufacturing center of Hoxton. Bly me! I was brought up in Largelady Park, near Epsom. But the cab—[her mother is out of hearing]. [To the daughter] You want a cab, do you? FREDDY. THE NOTE TAKER. The man calls himself Higgins and reads her what he has written which is exactly what she had said through the preceding conversations.He even imitates her voice which attracts other bystanders who feel entertained by Higgins’s gift of impersonation. THE FLOWER GIRL [still nursing her sense of injury] Ain’t no call to meddle with me, he ain’t. THE NOTE TAKER. THE DAUGHTER. It’s too bad. THE FLOWER GIRL. Hear him tell the toff where he come from? Less patient ones bid her shut her head, or ask her roughly what is wrong with her. THE FLOWER GIRL [appalled] Oh, what harm is there in my leaving Lisson Grove?

You can’t have tried.

You really are very helpless, Freddy.


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