What kind of Guitars does Jamie Hince use? The one I can’t live without is the Boss DD-3.” He uses two DD-3s for slapback delay sounds and a Fulltone Supa-Trem ST-1 for a nice variation in tremolo. “They’re just the greatest pickups I’ve ever heard,” says Hince. Re: Dropped B tuning, the kills - Jamie Hince « Reply #2 on: May 06, 2011, 07:39:24 pm » Drop B = C# standard with the drop 'D' (tuning the 6th string one step lower to form a power chord on the 6, 5 and 4th string) applied to it. He uses .010–.052 gauge strings with high action to complement his percussive attack. Kicking back in the mood-lit, mod-plush lobby of the Bowery Hotel in New York City’s East Village, Jamie Hince is still riding a wave of adrenaline from last night’s sold-out show across the river in Brooklyn. Click here to let us know!Jamie: The guitar I play, the Hofner, I’ve got about six of those now, but th... Jamie: The guitar I play, the Hofner, I’ve got about six of those now, but the first one I bought I didn’t even play it.

On this picture Jamie Hince uses a Whirlwind Selector A/B Box.Electro-Harmonix POG Polyphonic Octave Generator Guitar Effects Pedal Jamie Hince and Alison Mosshart, also known as the alternative rock duo The Kills, have had a music career spanning over 15 years and 5 studio records. He uses a Divided by 13 FTR 37 for a bright reverby sound, a Selmer Zodiac for cleans, a Selmer head with Divided by 13 cab for a wooly low end, and a 1950s Magnatone 280. This Supro Ozark 1560S is the same model as Jimi Hendrix’s first guitar. Click here to let us know! At 7:20min Hince talks about that he forgot his Fender Jaguar at home.Both Jamie Hince and Alisson Mosshart use a Höfner Verythin 4575. In addition to writing about music for publications like SPIN, Tessa has worked as an arts editor and investigative news reporter. Re: Dropped B tuning, the kills - Jamie Hince « Reply #2 on: May 06, 2011, 07:39:24 pm » Drop B = C# standard with the drop 'D' (tuning the 6th string one step lower to form a power chord on the 6, 5 and 4th string) applied to it. And in fact, none of the guitars he favors—among them a ’66 Gretsch Silver Duke, a Supro Ozark, and a vintage Gibson L-1 acoustic he insists is haunted (more on that later)—are fretted to be all that forgiving, but that didn’t deter him from adjusting to his injury. The lads later moved to London to try and make the band a success and they caught the eye of bosses at Fierce Panda Records, who issued their debut single, Skinny, in 1995. Click here to let us know!recording engineer Bill Skibbe: We usually use one of the POGs to thicken up ... recording engineer Bill Skibbe: We usually use one of the POGs to thicken up the sound, and that feeds three guitar amps—a modified Fender Twin, this amazing Vox AC50, and a ''60s Silvertone 610 that bit the dust right after we''d finished tracking everything At 11:00min Hince says that he used a Tonemaster before and liked it. This song has Alison Mooshart and Jamie Hince pulling their best art-rock sound, and it’s certainly not the only one you’ll find and love in their discography. Actually, watching their performance reveals that nothing could be further from the truth; guitarist Jamie Hince and vocalist Alison Mosshart weave in and out of one another in both sound and space, creating intense musical and, yes, sexual tension. recording engineer Bill Skibbe about the gear used in The Kills' album Blood ... recording engineer Bill Skibbe about the gear used in The Kills' album Blood Pressures: "So a lot of the time, we had this insane pedal board setup where we were using three A/D boxes [like the Divided By 13 Switch Hazel] " recording engineer Bill Skibbe: He [Hince] has a crazy pedal board set up wit... recording engineer Bill Skibbe: He [Hince] has a crazy pedal board set up with two Boss [DD-3] delays and two Electro-Harmonix POGs.recording engineer Bill Skibbe: “Baby Says” – that modulating guitar sound, a... recording engineer Bill Skibbe: “Baby Says” – that modulating guitar sound, and a lot of the tone in that, comes from this old Maestro Rhythm & Sound pedal, which is more of a suitcase than it is a pedal.
The Kills end up developing a sound that’s as distinctive as it is addictive to the true guitar-lover in you. They are a two piece featuring Jamie Hince on guitar and vocals and Alison Mosshart on main vocals and also occasional guitar.

“I can’t get the sound I want out of one amp, that’s why I use all these,” explains Hince. I mean, my hand is fucking painful. “Then I come with all these songs that I wrote on my Martin acoustics, and Jamie’s just like, ‘What the fuck am I gonna do with that?’ Trying to go at it from the other side, you know, we’re always starting at opposites, but there’s this very interesting moment when stuff starts to click. He co-founded The Kills with American singer Alison Mosshart in 2000. Hince has increased his previous two-amp setup to four amp combinations, all on, for a blended tone. In The Kills, Hince is known as "Hotel" and Mosshart is known as "VV".


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